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Tom Phillips with Concerto Grosso I
2001
500 x 347 pixels, 60 Kb
BACK ISSUES
Oct. 2000 - Sep. 2004
NOT-SO-RECENT UPDATES
Vol. 2, No. 1; 10.2000
Vol. 2, No. 2; 11.2000
Vol. 2, No. 3; 12.2000
Vol. 2, No. 4; 01.2001
Vol. 2, No. 5; 02.2001
Vol. 2, No. 6; 03.2001
Vol. 2, No. 7; 04.2001
Vol. 2, No. 8; 05.2001
Vol. 2, No. 9; 06.2001
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Vol. 2, No. 11; 08.2001
Vol. 2, No. 12; 09.2001
Vol. 3, No. 1; 10.2001
Vol. 3, No. 2; 11.2001
Vol. 3, No. 3; 12.2001-01.2002
Vol. 3, No. 4; 02-05.2002
Vol. 3, No. 5; 06-10.2002
Vol. 4, No. 1; 11.2002-01.2003
Vol. 4, No. 2; 02-05.2003
Vol. 4, No. 3; 05-06.2003
Vol. 4, No. 4; 08-09.2003
Vol. 5, No. 1; 10.2003-01.2004
Vol. 5, No. 2; 02-03.2004
Vol. 5, No. 3; 04.2004
Vol. 5, No. 4; 05.2004
Vol. 5, No. 5: 06-09.2004 |
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Featured this month:
THE SAMUEL BECKETT SKETCHBOOK : Studies for the famed portrait.
OPTICAL MAGIC : Tom reviews David Hockney's Secret Knowledge for the TLS.
MAILING LIST : So you won't not know what you're missing.
CURRENT EXHIBITIONS
OPENING EXHIBITION
THE QUEEN'S GALLERY, Buckingham Palace, London
Ongoing
Work: Owen Chadwick, O.M. by Tom Phillips
ROYAL ACADEMY SUMMER EXHIBITION
ROYAL ACADEMY OF ARTS, Picadilly, London W1V
11th June - 19th August 2002
Works:
- Concerto Grosso I
- Concerto Grosso II
- 4 new prints from the We Are the People series
CITY GALLERY ROYAL ACADEMICIANS SHOW
THE CITY GALLERY, 26 Copthall Avenue, London EC2R
25th June - 12th July 2002
Works: To be announced
ROYAL INSTITUTION, London
Ongoing
Works: Susan Greenfield studies and DVD portrait.
1 June 2002
England has much to celebrate. It's the Jubilee, and London looks marvelous. The Queen's Gallery at Buckingham has just opened. The Royal Academy Summer Exhibition is about to open. And celebrating its 30th year: Tom's annual pilgrimage through South London, 20 Sites n Years.
With so much taking place you might wonder why the current issue of <tomphillips.co.uk> covers two months instead of the usual single month. Don't fret, pet. Good things await.
In the meantime, many thanks for your visits and very kind email.
All best wishes,
JOHN NICK PULL, editor.
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